
A Horse With No Name Gallery×Piknik Elektronik×The Crystal Ship 2026A Horse With No Name Gallery × Piknik Elektronik × The Crystal Ship 2026
The Crystal Ship is widely recognised as one of Europe's largest festivals for art in public space. Over the years, world-renowned artists from Belgium and abroad have created 80+ monumental murals and art interventions across Ostend—an open-air collection that can be visited all year round.
In spring 2026, The Crystal Ship returns for its 10th edition and for the first time, a selection of Ostend galleries has been invited to participate.
A Horse With No Name Gallery (AHWNN) is one of them, and we're looking for one street artist to create a site-specific intervention inside the gallery, in dialogue with an ongoing exhibition.
Applications are open until 14 February 2026.
Jury: AHWNN and Piknik Elektronik
From 14 March to mid-June 2026, AHWNN hosts a solo exhibition by Belgian photographer Guy Kokken. We'll show a curated selection of around 20 photographs, leaving substantial wall space available in our large gallery.




A Non-Algorithmic Photographic Fiction
In Heterotopia, Guy Kokken presents a series of layered photographic works in which existing images merge into new, uncanny realities. By overlaying multiple photographs, he creates spaces that resist a single time, place, or logic. What we see feels familiar—yet fundamentally unstable.
The title refers to the concept of heterotopia, introduced by philosopher Michel Foucault: places that fall outside the everyday order and contain multiple realities at once. In this exhibition, the images function as such "other spaces"—assembled from fragments of the visible world, but rearranged into a photographic fiction.
At a time when image production is increasingly outsourced to algorithms and artificial intelligence, Kokken deliberately chooses a non-algorithmic approach. Each work is built from his own photographs and emerges through an intuitive process of looking, selecting, and bringing elements together. The layering is not a digital effect, but a conscious artistic act.
Heterotopia invites the viewer to slow down and lose themselves in images that offer no fixed perspective. The works hover between document and imagination, between reality and dream, raising questions about how we look, remember, and make meaning of what we see.
We invite a street artist to use the empty walls as a creative playground, responding to Kokken's imagery, themes, atmosphere, or visual language. The intervention can be bold, subtle, poetic, political, abstract—what matters is that it becomes a true conversation between street art and photography, between "the street" and "the gallery."
Alongside the intervention, we also want to present sellable works by the same artist (e.g., prints, canvases, objects, editions).
In partnership with Piknik Elektronik
This residency is bringing together expertise in contemporary visual art and electronic music culture. This curatorial partnership ensures a multidisciplinary approach that bridges gallery space and music community.
You work in the gallery and install and create new works. The gallery stays open to visitors while you create
Opening event with the community and guests.
Public programme period and full exhibition display
Transport to/from Ostend + accommodation during the creation period
Paint/material budget (including spray paint)
Standard gallery commission on sold works (prints/objects/editions)
Your gallery intervention becomes part of the wider Crystal Ship experience:
